P 4: Ozymandias (by Percy Bysshe Shelley)


Q. RTC

"I met a traveller from an antique land, Who said: two vast and trunkless legs of stone stand in the desert near them, on the sand, half sunk, a shattered visage lies, whose frown."

i) Who does 'I' stand for?

A.i) 'I' refers to the poet Percy B. Shelly.

ii) What does 'antique land' refer to?

A.ii) 'Antique land' refers to the place from where the traveller has come and where he saw the dilapidated statue and Ozymandias. It is actually an allusion to Egypt.

iii) What does the speaker mean by 'trunkless legs'?

A.iii) The speaker, by this phrase, refers to the dilapidated statue of Ozymandias, which consists only of two legs standing on a pedestal devoid of the upper body.

iv) Apart from trunkless legs, what did the traveller see there?

A.iv) Apart from the legs, the traveller saw a frowning and cold face partially sunk in the sand. This face once belonged to the statue of Ozymandias, but with time got sunk in the sand.


Q. RTC 

"I met a.................lies".

i) Who does the word 'I' refers to?

A.i) The word 'I' refers to the narrator.

ii) Who does the narrator meet? Where had he come from?

A.ii) The narrator meets a traveller who had returned from the antique land.

iii) What did the traveller see there?

A.iii) The traveller saw two vast trunkless legs made up of stone on a pedestal in the desert. Its broken face was lying near the legs which were half sunken. 

iv) What is 'shattered visage'?

A.iv) The word 'shattered visage' refers to the broken face of the statue which was lying on the ground.


Q. V.B.Q. (Value Based Question)- 
Time is a common theme invoked in 'Ozymandias' and 'Not Marble Nor Guilded Monuments'. Compare how time is treated in both the poems.

A. Both Percy Shelly and Shakespeare in their poems, agree on one thing that there is no power which mortals have, that can overpower the great leveller-time. Shakespeare feels that time is 'sluttish' disloyal and destructive. He says that the only thing that can survive time is literature. It is literature which immortalises people, not the fragile 'works of masonry'. Shelly, on the other hand, believes that it is art in general which passes the test of time. In his poem, he brings out the irony that Ozymandias who commissioned the sculptor to immortalize him but what in turn became immortal was the sculptor's art, not the powerful king nor the sculptor himself.

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